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American Art Collector
Magazine, May 2010
American Art Collector Magazine Article, July 2010
Jacque Maroger's (1884-1962) life mission was the rediscovery of the medium used by the Old Masters. He realized through his work at the Louvre that the technique of the Masters was based on transparency. He felt no contemporary artists could duplicate this. He observed the inner glow and permanency of color found in the Old Master mediums and that they gave artists a freedom of technique not found with other vehicles. Maroger did not want these mediums to be lost. In 1929 he developed his first medium but continued to refine it throughout his life. He would later work with Ann Schuler, head of the Schuler School, as well as other disciples. Maroger's background includes the Conservation Committee of the Louvre from 1930-1939. He was Technical Director of the Louvre, President of the French Restorers, General Secretary of the International Experts, and Professor at the School of the Louvre. In 1937 he became an Officer of the Legion of Honor. In 1939, Maroger came to the United States and soon accepted a Professorship at the Maryland Institute College of Art in Baltimore. It was here that he met Ann Schuler which began a great artistic bond. Ann was Maroger's assistant for over 20 years at the Maryland Institute. In 1959 Maroger encouraged Ann and her husband, sculptor Hans Schuler, to begin their own school of classical realism. The Schuler School of Fine Arts teaches the methods of the Old Masters in the style of the old world ateliers. The School just celebrated its 50th year in the historic 1906 sculpture studio. Ann Schuler, now 92, continues the legacy along with her daughter, grandsons, and alumni. Students learn to make the Maroger medium, black oil, prepare their own painting surfaces, grind their pigments, and many other Old World techniques. They paint exclusively with the medium. Note that the medium may be referred to as Flemish, with variations such as Italian. Making the medium is rather complicated and should be learned while working with an experienced disciple. In purchasing the medium, be sure that it is properly made with the correct ingredients, as many individuals claim to know the recipe. It is wonderful to see that the medium is today more respected and employed than ever. It is used by countless artists throughout the world including top names like David Leffel and Daniel Greene. I personally count the use of the medium as the single most important aspect of my work. I cannot sing the praises enough of Jacque Maroger and his "rediscovery" of the Masters' medium. Equally important is my education under my dearest friend and mentor Ann Schuler. It is nothing short of amazing the lives she has touched and enriched through art. Note that Maroger published a book in 1948 on his rediscovery, The Secret Formulas and Techniques of the Old Masters.
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